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MSC Lirica, 17 night Transatlantic, Dec 27, 2004 – Jan 13, 2005 Very Long
Itinerary
Dec 27 Depart Genoa Dec 28 At Sea Dec 29 Malaga, Spain Dec 30 At Sea Dec 31, Fontal Madeira Jan 1 - Jan 6, At Sea Jan 7 Grenada Jan 8 St Lucia Jan 9 Antigua Jan 10 Tortolla Jan 11 At sea Jan 12 Nassau Jan 13 Ft. Lauderdale This was my 47th cruise and my 7th trip across the Atlantic by ship. It was also the first time that I have cruised alone, as a single passenger. I left for Rome on Christmas Eve and flew to Genoa on Christmas Day. My two-day hotel stay in Genoa was at the Bristol Palace, and it was literally a converted Palace. This beautiful 4* hotel was located in a very fashionable part of the old city. I had a large room, with 14ft, frescoed ceilings, antique furnishings, and a large, modern marble bathroom. I booked the hotel through venere.com for 100 EU/night. Considering that the lowest price I found for the room on any US website was $260 EU, this was a great bargain. Unfortunately, the weather in Genoa was cold and rainy. It was also unfortunate that everything was closed on Christmas day and the Sunday that followed. When I arrived in Genoa on Dec 25, the Lirica was docked at the port. It turns out that the ship had been in dry dock for a month, even though it was less than two years old. If they were trying to spruce it up for the winter season in the Caribbean, then they did an excellent job. I have been on a number of inaugural cruises before, and the Lirica appeared to be a new ship in every way. On December 27th, I took a cab to the port, arriving at 11:30 AM. There were no lines at check in, and I boarded the ship immediately. The Ship The Lirica is a 58,000 ton ship that holds about 1500 passengers. Reports on various websites of a 2000 guest capacity are totally wrong. To me the ship was of an ideal size, with a large space ration. It never felt crowded. The ship’s interior was absolutely stunning. Colors and décor throughout the vessel were soft, and elegant. Furnishings were delightfully comfortable. Decks five and six contain numerous lounges. All public areas are decorated in exceptionally fine taste, with the predominant colors being teal green, navy blue, pink and mauve. Deck five houses the lovely, two story Broadway Theater, with excellent site line at the bow of the ship, moving aft one finds the Lord Nelson Pub, the Beverly Hills Bar (a large space that is surrounded by a variety of shops), a large tour desk, a two story reception area, and a beautiful dining room. On deck six, there is a coffee lounge above the reception area, Le Cabaret Lounge, a large Casino, L’Atmosphere piano lounge, a photo gallery, internet café, and a second smaller and more elegant dining room where I was assigned to the late seating. The bow section of deck 7 houses the Lirica Lounge, a large space that was used for ship wide cocktail parties, fun and games, and ballroom dancing each evening. The aft section of deck 12 houses the Blue Club, which is the most gorgeous top deck bar and disco that I have ever encountered on a ship. The entire, very large space is surrounded by glass. The bar is constructed of what looks, and feels to be lapis lazuli; but I was told that it was some kind of fabricated stone. On Deck 11 there are two large, outdoor swimming pools and two Jacuzzis sitting mid ship. The forward section of deck 11 houses a large bar, and a well equipped gymnasium and spa. The aft section houses another bar, a large outdoor eating area and grill on each side of the ship, and Le Bistro, where buffet breakfasts, lunches, and midnight snacks are served. One also has the option of eating full breakfast and/or lunch in either of the lovely dining rooms. There is outdoor seating on decks 11 and 12, as well as an outdoor solarium on the bow section of deck 13. I found the outdoor pool and buffet restaurant areas to be rather Spartan and not particularly attractive. Lounge chairs were readily available on decks 11, 12, and 13. They were very comfortable, and different from those on any other ship that I have taken. Each lounge contained its own attached sunshade that could be pushed away, or adjusted in an infinite number of positions to partially or completely block the sun from ones face or upper body. Towels were readily available poolside, which was a very nice change from the growing trend on many cruise lines of issuing a pool towel in one’s stateroom. There was no seating on the covered promenade outside of deck six, and the promenade was not continuous around the ship. Accommodations I had an inside cabin (the only time since my first cruise) on deck 9. The cabin was reasonably spacious and very well decorated. It was, perhaps, a bit smaller than the standard inside or outside cabin on a celebrity ship, but it was very cleverly designed, and laid out, with many mirrors that added a feeling of volume to the space. The cabin housed three wardrobes. Two contained closets and one held 6 nice size drawers and three shelves above. One corner of the room held a vanity table with storage, a comfortable chair, and a large corner mirror with storage space and a safe behind it. There were 4 electric outlets on the vanity, two supplied 110V current and two supplied 220 V. The other corner housed a refrigerator and mini-bar, with a TV sitting on top. There was a full length mirror on the wall adjacent to the mini-bar. The wall opposite the entry contained a large queen-sized bed (two beds pushed together), two very large nightstands with storage, and a very large mirror above the bed. As a single passenger, I had more storage than needed for the 17 day voyage, and many spaces remained empty. Two people traveling together might find the space a bit tight, but certainly adequate. The bathroom was small, but well equipped; however the shower was a bit tight (for the first time I was able to understand those inevitable shower curtain jokes told by comics on cruise ships). A wall mounted hair dryer was provided in the bathroom. I did have an opportunity to visit both the regular outside staterooms, which were identical in size and layout to my inside stateroom, and the suites on this ship. The suite was about the size of a Cat D balcony room on RCCL or a CAT A mini-suite on HAL's Masdam, Zandam, Rotterdam ships. Cuisine Personally, I was delighted with the cuisine served on the Lirica. Every lunch and dinner in the dining room provided a full six course meal. Antipastos (3 or 4 choices with every meal) included such treats as carpaccio, salmon tartar, caviar, etc. Soups (3 choices with every meal) included spinach and garlic, potato and leek, etc. Each meal provided a choice of pasta or risotto, and each of these was perfectly prepared (al dente). At least four main courses were offered at each meal, and one of these was always vegetarian. One of my favorites was shrimp fra diavlolo, another was garlic shrimp over wild rice. Lobster was served on the last gala (formal) night. A salad course was offered with each meal. Finally, at least four desserts were offered with each meal. Sirloin steak, grilled salmon, roast chicken, Caesar salad, and a cheese with fruit were always available at dinner, in addition to the varying menu items. What especially impressed me was that no menu or menu item repeated itself on this 17 day cruise. Having been on may cruises of two weeks or longer, I have never encountered this on another ship. I did hear a number of British and American passengers complain about the food on this ship. While it is true that not all of the dishes were well prepared, all of the Italian dishes were superb, in my opinion. In regard to cuisine, I highly recommend this cruise for individuals are adventurous and/or experienced with continental cuisine. Less adventurous or sophisticated cruisers might be considerably less happy with the fare. Buffet dining was very European in style, and there was no buffet dining alternative for dinner. There was also no a la carte dining alternative on this ship. Room service was available 24 hours per day. Apparently, during the first year of service on this ship, there was a nominal charge for room service; but there was no charge on my cruise. The room service menu was very limited, but food was delivered on a silver plated tray, with cloth napkins, real silverware, and porcelain dinnerware. Regular coffee on the ship was too weak, in my opinion. A nice touch is that it was always served with hot milk. Strong coffee was available at any bar with a charge of only $1 for espresso, and $1.50 for cappuccino or latte. Service Many of the crew on this ship was new and some were very poorly trained. My cabin steward, Liliana (from Italy) provided outstanding service throughout my voyage. My dinner waiter, Nomen (from Bali) and assistant waiter (never did catch his name or nationality) were very nice, but their service was not well executed. There was, however, a noticeable improvement as the cruise continued. Bar service was often a problem, with slow bartenders and bar waiters or waitresses that did not comprehend English very well. Within a few days, however, I had discovered who the good bartenders and waiters were. Whenever possible, there were the folks from whom I ordered my drinks. Entertainment As I already noted, there are many different lounges on the Lirica, and each provided musical entertainment every evening. The Beverly Hills bar, a beautiful space in mauve and brass housed a versatile female singer, accompanied by a keyboard and horn player. L’Atmosphere housed a pianist and various musicians playing string instruments. Le Cabaret offered a variety of international music presented by a trio of musicians. The orchestra played in the Lirica Lounge each evening. Recorded music played in the very comfortable Lord Nelson Pub. The bar at the top deck Blue Club, opened at midnight each evening, and often did not close until 5 am, when I was generally there with a small, hard core group of people who knew how to seriously party. New Years, we kept the dude there until 7:00 AM. The DJ started spinning around 12:30 AM and never stopped before 3:00. The club reached it’s height of activity between 1:00 and 2:30 AM each morning; and only once during the 17 day voyage was it largely empty. New Years Eve was VERY, VERY special on the Lirica. We were anchored in Funchal, along with a large group of other European ships. A deck party began at 10:30 PM. At midnight, we were offered the most spectacular display of fireworks from the city of Funchal that I have ever witnessed in my life. Now I should mention that Eileen and I were very serious about fireworks. Until this cruise, I though that nothing compared with Paris on Bastille Day; but I was wrong. What I witnessed in Funchal brought the concept of fireworks to a new level for me. At the stroke of midnight, the entire island seemed to light up with a synchronized display that went on for a full hour. I wept, as I attempted to convey what I witnessed to the love of my life, who was no longer with me. Now is an excellent time to mention the fantastic “Animation Team” on this ship. The Animation Team consisted of a large group of very young Italian men and women who worked from mid-morning to 3:00 AM each day keeping the guests happy and involved in ships activities. They were extremely creative, friendly, very sexy, and hilarious. They played games with the pax morning, noon, afternoon, night-time, and in the wee hours. Many of these games were very raunchy, and I strongly wonder how they will be received by a more uptight group of US passengers. In short, the Lirica had the most effective social staff that I have encountered on all of my 47 cruises. Shows were presented twice each evening (for the two seatings) in the Broadway Theater. The production shows were not very good at all. Singers and dancers ranged from poor to mediocre. Costumes, lighting, and sets were unimpressive when compared to those of Carnival or RCCL. There was also a flamenco dance group that was more like Irish step dancers than intense and sexy flamenco dancers. There were, however, some very special shows that would never be shown on another cruise line. Two of these were classical, Italian opera presentations. The first of these consisted of a soprano, a fantastic tenor, and an accomplished violinist. It was wonderful. A second show presented another soprano, a pianist, and a flutist. Although the soprano had poor stage presence, her voice was as beautiful as it gets for me. She opened the show with Musetta’s Waltz from La Boheme (I know it’s a plebian aria, but I love it nevertheless). I was promptly brought to tears by what I heard. The Passengers For me, my fellow Pax on this ship were the highlight of my cruise. Forty-eight different nationalities were represented on the cruise. The largest group was from England, the next largest from Italy. There were also a sizeable number of French, Germans, Americans, and Canadians. My best description of the pax majority is that it was sophisticated, open-minded, and elegant. In my 17 days on this ship, I did not run into a single unpleasant person. On gala nights (there were 4 or these), roughly 80 percent of the men wore tuxedos and/or dinner jackets. The vast majority of the women were beautifully attired each evening in Euro/designer fashions. All ages were represented from 20’s to 80’s. There were both children and teens on board, and most were very well behaved. Interestingly, all of the age groups mixed quite well with one another. In this regard, I had a great time with folks in 80’s as well as those in their 20’s the cruise. Most of the pax seemed to be in much better shape than comparably aged US passengers on the ships I have taken. In Malaga, for example, it was a three mile hike from the ship to the center of town. Despite the fact that more of the pax were smokers, practically all walked the three miles into town and three miles back without a problem. Special Note for My Gay RTC Friends When I left on this trip, there was some talk about Holland refusing to include a Friends of Dorothy event in their daily program. Well folks, I am pleased to tell you that the Lirica had a regular FOD event listed in its own bold box on each of the daily programs for 16 of the 17 days of this cruise. The event took place each day at 5:00 PM in the Lord Nelson Pub; and since many of my friends on the ship were gay, I attended many of them (when I was not sleeping). Overall Conclusions Many of you have indicated in recent months that you would enjoy a cruising experience that is very different from what you get these days on the mainstream cruise lines. For those of you who have expressed this sentiment, I am pleased to report that MSC seems to fit the bill. The Lirica is a beautiful ship that provides something that is definitely out of the ordinary; and it does so, for the time being, at a very affordable price. More specifically: 1.The Ship is beautiful, with a classy décor that could not fail to delight even the most critical members of the group. 2.There were NO, I repeat NO in cabin or on ship announcements during the cruise, apart from the passenger lifeboat drill and several crew drills during the cruise. 3.There were NO shopping mall like spaces selling junk on the ship. In fact, there was no open selling on this ship at all. 4.There were NO inch of gold sales, and NO “art” auctions. 5.There was NO junk advertising delivered to your stateroom at any time. 6.There were NO port talks aimed at terrifying pax into taking ship sponsored tours; and there were NO recommended stores for any port. 7.The shops on the ship provided very nice European fashions and jewelry at rather high prices. If there was any junk merchandise for sale, I did not see it. This cruise,like all of the others that I have taken, was not perfect; but overall it was a delightful experience that I would gladly repeat. Just how MSC’s full entrance into the US market will screw things up, I can’t say. But for those of you who are truly looking for something different, I recommend trying this ship out as soon as possible. |
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