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Venice, Part 4: Tourist Must-sees
As tourists, Herself and I are a little bit rebellious. We were in
Venice because there is a widely held view that it is worth visiting. But we did not feel obliged to see everything in Venice which is widely believed to be worth seeing. And I defend this on two grounds: first, we will do as we damn well please on our holidays; second, Venice is a "being-there" place rather than a "looking-at" place. Nevertheless, we did some of the tourist stuff. There is much fine art to be seen in Venice, and we saw some. But I was not greatly taken by it. I don't generally go for large canvases painted for churches and public buildings. I find myself imagining the church artist being given his commission: "We need four pictures to fill those spaces on the walls. Make sure that they tone in with the marble. I'm a bit concerned about laxity in morals, so it would be useful if you gave us representations of virtuous people who are good exemplars. The budget is 6,000, including materials and framing, and I want the pictures hung before Easter." Such works do not reach me. So I refrain from commentary on fine art in Venice. Except for one observation: Venice is scenic, and much depicted. There is a cottage industry in producing paintings and drawings for sale to visitors. Most of what is offered is uninspired production-line stuff, but here and there you can find some quite pleasing works at quite modest prices (in general, the pictures without gondolas were less clichéd). Now, on to looking at places. Piazza San Marco is a fine civic space, so much represented in paintings and photographs that it seems familiar when you first see it. A leisurely circuit is a must. The Campanile in the piazza is emblematic of Venice and, I am told, affords a great view of the city. Being acrophobic, I sent Herself up to check it while I stayed at sea level. She confirmed the reports. "Red roofs" was her succinct summary. The Palazzo Ducale (Doge's Palace) is well worth visiting. The exterior is impressive without being ostentatious, conveying an impression of great confidence. Despite its name, serving as a residence for the Doge was a minor function of the building. It was the centre for all public administration, with sections for a number of councils and administrative committees and for various courts. The Doge's accommodation was relatively modest (I said "relatively"; it's still pretty grand) as, it seems, were his powers. Venice was an oligarchy, and the Doge was little more than an elected titular head of state. The great rooms were those for the councils which really held the power. They are very grand, and adorned with a very impressive collection of works by the great Venetian painters. The rooms occupied by the judiciary and the courts were rather more sombre. The tour includes a visit to the prison, which is cleaner and better lit today than when it was in use for its original purpose, but is still a dismal place. As with many people, my first knowledge of the Rialto was derived from Shakespeare's Merchant of Venice. Today's bridge post-dates the play by a few decades, and is an impressive and elegant piece of seventeenth century engineering. It is best viewed from the water, or from the waterside; crossing the bridge is not remarkably interesting. We crossed the Bridge of Sighs when we passed from the Palazzo Ducale into the prison. From the inside it is no more than a passage with small windows, the famous windows which supposedly induced the sighs. The external view was, to my eyes, not greatly more impressive. It still looks like a passage. I found the Bridge of Sighs in Oxford more aesthetically pleasing. Venice is a city of churches, and the guidebooks make much of them as interesting buildings and as repositories of important works of art. So, being perverse, we did not visit many of them. We were not so perverse as to ignore St. Mark's Basilica. To our surprise, there was no admission charge, but when we were inside we noted that the marketing was astute: charges were levied to visit particular attractions inside. The church is embellished with an acre of mosaic (it's worth departing from metric standards here, as 4,000 sq.m. does not have the same resonance), but I had the capacity to regard only a fraction of it: it's just too much. In St. Mark's, more than any other place in Venice, I found it easy to conjure up my own image of Venice's days of greatness, of power and wealth and confidence. On one of our rambles we found ourselves at the church of Santa Maria Assunta, also known as Chiesa dei Gesuiti. I remembered that it had been mentioned in the guidebooks for something, but I couldn't recall what. So we decided to find out what we should be looking for, and went in. It is a large baroque church which has seen better days: the fabric of the building seemed a little tired, and I noticed a large crack which might cause concern to an engineer. This was hardly the stuff of guidebooks. The unusual and ornate pulpit might deserve a mention, but then we found what many would consider the church's real treasu a fine Titian, depicting the martyrdom of San Lorenzo. He was shown as being roasted over a fire, a fate that did not seem so awful on a cold February day as it might in the heat of high summer. Then I saw the legs. Stone legs. My eyes went up, and I saw a statue of the Madonna and Child. Unbelieving, I looked back down. Yes, legs. Woman's legs. The Madonna has legs! Clad in a diaphanous stone garment, but real legs -- well, real stone legs. Two of them. The Madonna represented as a woman, a sexual being. I looked up again. Flowing hair instead of the customary demure veil. Eyes half closed and mouth half open (how different that is from eyes half open and mouth half closed). The mother of God might have been a virgin and held by Christians to be the personification of purity, but the artist was not afraid to represent her as a real woman who might be desired by men. The Sexy Madonna. And she was in no guidebook. I was so amazed by the representation that I forgot the name of the sculptor -- something like de l'Aglio, but I cannot now find anything about a sculptor of that or similar name. One of the more noted churches in Venice is San Giorgio Maggiore, which is opposite Piazza San Marco and the Palazzo Ducale, and separated from them by about 400m. of water. So we took a vaporetto across to get a close-up look at it. It is literally Palladian, the last great work of the renowned architect, and houses, among other things, some Tintorettos. It was Sunday morning when we visited, and we were prepared to give way to a mass if one was happening, but the church seems not to be used now for worship. It was very quiet there, only two other visitors. I found the church imposing and doubly cold -- it was a wintry February day, but the building was also psychologically cold, almost forbidding. I won't say that I could take or leave the Tintorettos; I would leave them. It had been suggested to me that the campanile affords the best view in Venice, and I was prepared to continue the research by sending Herself up. But it was closed for maintenance work. Lest this paragraph be taken as wholly negative, let me point out that I found the church imposing, and that is worth experiencing. The view back towards the city is also worth beholding. The only other church we visited was my favourite: San Giacomo di Rialto, located, as the name suggests, close to the Rialto. It is not a grand church like the others, rather the opposite, small and cosy. It would invite a believer to be comfortable with, rather than in awe of, God. The guidebooks say that it is the oldest church in Venice. Our payment for admission to the Palazzo Ducale had covered a combined ticket which included the museum on Piazza San Marco. In effect, the museum had become a free visit, and we were not going to waste the opportunity. The museum occupies a good deal of the space above ground level in Piazza San Marco, and the varied collection has something for almost any interest -- fine arts, decorative arts, archaeology, daily life (particularly of the wealthier members of Venetian society), military and naval history, literature, and much else. I was particularly interested in the images of Venice and the maps, both those of Venice and a collection of navigational maps. We spent a couple of enjoyable hours there until we were overwhelmed, and returned to the outside world. -- PB The return address has been MUNGED |
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Funny you should mention that hostel... I saw the apparently sad and
forlorn residents gathered in front from the vaporetto as I passed by one evening... the solitary pizza joint next door on the rather desolate strip of buildings had closed earlier than they seemed to expect; leaving them with apparently nothing else to do but gaze across the lagoon at the real scenery... Who knew they were transfixed...g For Euro 6.5 more than they charged I got a small private room booked via the train station tourist office a mere Five minute walk over the canal bridge right in front. Tim K "Rita" wrote in message ... I stayed in the youth hostel which is located on an island just across the water from San Marco's cathedral and the view was pure Monet. Altogether a very frugal visit but one I'd like to repeat. |
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Truth be told I lucked out... I *had* that hostel's addy in my pack
when I arrived early AM on the night train from Interlocken; no place yet for the night. After being assailed by the gaggle of hotel touts near the front doors, one pointed to the tourist office (yet to open in 15m) when I said "anything less expensive?"...g I was second in line when it opened and joyful at the result! I'd doubt those cheap single rooms last long! Tim K "Rita" wrote in message ... On Thu, 14 Apr 2005 04:03:58 GMT, "Timothy Kroesen" wrote: Funny you should mention that hostel... I saw the apparently sad and forlorn residents gathered in front from the vaporetto as I passed by one evening... the solitary pizza joint next door on the rather desolate strip of buildings had closed earlier than they seemed to expect; leaving them with apparently nothing else to do but gaze across the lagoon at the real scenery... Who knew they were transfixed...g For Euro 6.5 more than they charged I got a small private room booked via the train station tourist office a mere Five minute walk over the canal bridge right in front. Tim K Well, I am very old and not into nightlife. The hostel sold cheap meals and wine. I had been in Paris and booked ahead. Didn't want to end up in Venice with no choice but an expensive room. It is true there is nothing to do on that island itself. In years past I took my chances and booked cheap rooms from tourist offices, but I had read that in Venice it was difficult to find a cheap room. I had full days in Venice and was quite happy to come back to the hostel, have something to eat and go to bed "Rita" wrote in message .. . I stayed in the youth hostel which is located on an island just across the water from San Marco's cathedral and the view was pure Monet. Altogether a very frugal visit but one I'd like to repeat. |
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